For Everyone Who Dreams of Learning to Paintt

Classical Oil Painting Intensive

with Olga Bazanova

Discover the timeless beauty of classical oil painting!

Join an inspiring painting intensive where you'll explore essential artistic techniques, develop your skills, and create 10 beautiful oil paintings of your own.

Instant Access After Purchase

Access for 2 years — learn at your own pace, anytime!

Offer ends
TODAY at 11:59 PM (Moscow time)

JOIN NOW

Classical Oil Painting Intensive

with Olga Bazanova

Discover the timeless beauty of classical oil painting! Join an inspiring painting intensive where you'll explore essential artistic techniques, develop your skills, and create 10 beautiful oil paintings of your own.

For Everyone Who Dreams of Learning to Paint

Instant Access After Purchase

Lifetime access — study at your own pace, whenever it suits you!

Offer ends
TODAY at 11:59 PM (Moscow time)

JOIN NOW

We’ve prepared a detailed video about the course for you:

Theory for every painting in the course

Drawing & Composition:

Color Mixing:

Olga Bazanova invites you to the Classical Oil Painting Intensive, where you will:

Learn to render contrast and smooth tonal transitions

Master subtle halftones and learn to paint color that looks natural

Work in hyperrealism and photorealism

Learn to paint drapery and different types of fabric

Complete 10 paintings in various techniques, including works by famous artists and Olga's original paintings

Discover new techniques and apply them in practice right away

Get a boost of great mood and inspiration

Paintings We Will Create

Painting 1:
"Still Life with a Teapot" 50×70 cm (20×28 in)

Reference artist: Ellen Buselli

Theory: linear perspective in still life; painting metal, ceramics, wood, and textiles.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: detailed drawing and linear perspective. Placing the objects and setting correct proportions. Blocking in the main tones and the darkest areas.
Lesson 2: working up the light areas, adding contrast, painting highlights, and refining color intensity.

Practice: 2 master classes


Painting 1:
"Still Life with a Teapot" 50×70 cm (20×28 in)

Reference artist: Ellen Buselli

Theory: linear perspective in still life; painting metal, ceramics, wood, and textiles.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: detailed drawing and linear perspective. Placing the objects and setting correct proportions. Blocking in the main tones and the darkest areas.
Lesson 2: working up the light areas, adding contrast, painting highlights, and refining color intensity.

Practice: 2 master classes


Materials

Painting 2:
"Butterfly Orchids" 80×60 cm (32×24 in)

Reference artist: Marie Tippets

Theory: building a composition, understanding contrast and complex tonal transitions, working with challenging values.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: composition in linear perspective and proportions. Blocking in the dark tones and the main color areas.
Lesson 2: painting the light areas and contrasts. Refining proportions.
Lesson 3: detailing, highlights, and painting the patterns on the vases.

Practice: 3 master classes


Painting 2:
"Butterfly Orchids" 80×60 cm (32×24 in)

Reference artist: Marie Tippets

Theory: building a composition, understanding contrast and complex tonal transitions, working with challenging values.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: composition in linear perspective and proportions. Blocking in the dark tones and the main color areas.
Lesson 2: painting the light areas and contrasts. Refining proportions.
Lesson 3: detailing, highlights, and painting the patterns on the vases.

Practice: 3 master classes


Materials

Painting 3:
"Fairytale Cottage" 70×70 cm (28×28 in)

Theory: rendering contrast and glow, warm and cool light, and choosing a color palette.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: composition. Moving away from the blank white canvas by covering it with the main color areas.
Lesson 2: detailing and refining. Working with textures: water, trees, the road, and the house.
Lesson 3: detailing, adding the glow, and creating a light gradient.

Practice: 3 master classes


Painting 3:
"Fairytale Cottage" 70×70 cm (28×28 in)

Theory: rendering contrast and glow, warm and cool light, and choosing a color palette.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: composition. Moving away from the blank white canvas by covering it with the main color areas.
Lesson 2: detailing and refining. Working with textures: water, trees, the road, and the house.
Lesson 3: detailing, adding the glow, and creating a light gradient.

Practice: 3 master classes


Materials

Painting 4:
"Ship on the Ocean" 110×60 cm (43×24 in)

Theory: painting glow and sea water, softening through generalization, generalization techniques.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: blocking in the main color areas with detailed drawing and composition.
Lesson 2: adding mist, glazing, detailing, and the glow.

Practice: 2 master classes


Materials

Painting 5:
"Cottage in a Winter Forest" 50×70 cm (20×28 in)

Reference artist: Abraham Hunter

Theory: working with subtle halftones and complex shades of white.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: laying in the darker values. Working on the composition.
Lesson 2: working on the lighter areas, adding a glow to the cottage, detailing.

Practice: 2 master classes


Painting 5:
"Cottage in a Winter Forest" 50×70 cm (20×28 in)

Reference artist: Abraham Hunter

Theory: working with subtle halftones and complex shades of white.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: laying in the darker values. Working on the composition.
Lesson 2: working on the lighter areas, adding a glow to the cottage, detailing.

Practice: 2 master classes


Materials

Painting 6:
"Winter Forest" 80×130 cm (32×51 in)

Reference artist: Ivan Shishkin

Theory: painting color that looks natural, giving white volume, working in hyperrealism and photorealism.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: laying in the darker values and building the composition.
Lesson 2: mid-tones and light areas. Working with titanium white.
Lesson 3: detailing, refining, and building volume.

Practice: 3 master classes


Painting 6:
"Winter Forest" 80×130 cm (32×51 in)

Reference artist: Ivan Shishkin

Theory: painting color that looks natural, giving white volume, working in hyperrealism and photorealism.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: laying in the darker values and building the composition.
Lesson 2: mid-tones and light areas. Working with titanium white.
Lesson 3: detailing, refining, and building volume.

Practice: 3 master classes


Materials

Painting 7:
"Mountains and Sea" 60×120 cm (24×47 in)

Reference artist: Fyodor Vasilyev

Theory: working with light, generalization, the movement of water, and landscape composition.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: composition and values. Placing warm and cool tones correctly while working in a darker range.
Lesson 2: detailing the light. Building the wave, working with contrasts.
Lesson 3: detailing, glazing, and painting the fine details.

Practice: 3 master classes


Painting 7:
"Mountains and Sea" 60×120 cm (24×47 in)

Reference artist: Fyodor Vasilyev

Theory: working with light, generalization, the movement of water, and landscape composition.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: composition and values. Placing warm and cool tones correctly while working in a darker range.
Lesson 2: detailing the light. Building the wave, working with contrasts.
Lesson 3: detailing, glazing, and painting the fine details.

Practice: 3 master classes


Materials

Painting 8:
"Landscape" 60×100 cm (24×39 in)

Reference artist: Lev Kamenev

Theory: subtle color transitions, values, and mixing complex greens.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: composition and blocking in the main color masses, moving away from the white canvas with well-chosen color combinations.
Lesson 2: moving to lighter shades, adding contrast, and detailing.

Practice: 2 master classes


Painting 8:
"Landscape" 60×100 cm (24×39 in)

Reference artist: Lev Kamenev

Theory: subtle color transitions, values, and mixing complex greens.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: composition and blocking in the main color masses, moving away from the white canvas with well-chosen color combinations.
Lesson 2: moving to lighter shades, adding contrast, and detailing.

Practice: 2 master classes


Materials

Painting 9:
"Romantic Girl" 90×75 cm (35×30 in)

An original oil painting by Olga Bazanova

Theory: drawing the human figure, mixing skin tones, painting drapery and different fabrics, including sheer fabric. Painting a bouquet.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: drawing and laying in color areas: working with values, laying in darker shades, and placing warm and cool tones.
Lesson 2: painting the main masses: the head, face, and hands, refining proportions.
Lesson 3: detailing; placing light, shadows, and contrasts.

Practice: 3 master classes


Painting 9:
"Romantic Girl" 90×75 cm (35×30 in)

An original oil painting by Olga Bazanova

Theory: drawing the human figure, mixing skin tones, painting drapery and different fabrics, including sheer fabric. Painting a bouquet.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: drawing and laying in color areas: working with values, laying in darker shades, and placing warm and cool tones.
Lesson 2: painting the main masses: the head, face, and hands, refining proportions.
Lesson 3: detailing; placing light, shadows, and contrasts.

Practice: 3 master classes


Materials

Painting 10:
"Waterfall" 75×75 cm (30×30 in)

An original oil painting by Olga Bazanova

Theory: working with warm tones and smooth transitions into cool ones. Mixing complex shades, painting moving water.

Drawing: 1 lesson · Color mixing: 1 lesson

Lesson 1: blocking in all the main color areas. Composition and moving away from the white canvas.
Lesson 2: adding texture with palette knives and brushes, refining all the shades, and detailing.

Practice: 2 master classes


Materials

Certificate of Completion

Official Certificate of Completion


Dear students, upon completing the course on the "Under the Wing" or "High Flight" plan, you will receive an official certificate from Olga Bazanova's Painting Studio.


Choose your level of study and get inspired by the art of oil painting under Olga Bazanova's guidance. Grow as an artist with our courses and add a valuable certificate to your portfolio, opening up new creative opportunities.

Official Certificate of Completion


Dear students, upon completing the course on the "Under the Wing" or "High Flight" plan, you will receive an official certificate from Olga Bazanova's Painting Studio.


Choose your level of study and get inspired by the art of oil painting under Olga Bazanova's guidance. Grow as an artist with our courses and add a valuable certificate to your portfolio, opening up new creative opportunities.

Choose Your Plan

"Basic"

Plan

45 master classes

10 completed paintings

6-month access

2-year access

2 bonus paintings as a gift

Buy the Intensive

$329

$229


Buy Now
Ask a Question

"Under the Wing"

Plan

45 master classes

10 completed paintings

1-year access

2-year access

Curator support while you paint

2 bonus paintings as a gift

Buy the Intensive

$509

$359


Buy Now
Ask a Question

"High Flight"

Plan

45 master classes

10 completed paintings

2-year access

Personal support from Olga while you paint

2 bonus paintings as a gift

Buy the Intensive

$1530

$1079


Buy Now
Ask a Question

Offer ends
TODAY at 11:59 PM (Moscow time)

Leave a Request

Have a question about payment or the course? Let us know.

Your Instructor: Olga Bazanova

A St. Petersburg artist known in Russia and abroad for her stunning paintings and her ability to create a unique creative atmosphere.

Even people who have never held a brush, never stood in front of a canvas, and had no idea what oil paints are can paint a picture on their own in just a few hours!

Each of her master classes is a journey within, into the brightest corners of the soul.

35+

years teaching oil painting master classes

1000+

painting webinars hosted

72,000

people learning to paint in oils with Olga

What Our Students Say

As adults, we have one advantage: we choose our school and teacher ourselves, and I love my choice! Olga is talented not only as an artist but also as a teacher, with a beautiful, eloquent way of speaking. She inspires with her enthusiasm and energy. Talking with her is a real pleasure: a kind and beautiful person you can't wait to meet again.

Nina Gomozova

Oil painting was something beautiful and out of reach for me, until I accidentally discovered Olga. Everything I can do in painting today is entirely thanks to her. Which brush to use, which solvent to buy, which canvas to choose, and most importantly, where to find inspiration, how to start and finish a painting, how to believe in yourself: Olga teaches us all of this! She is not just a teacher, but a wonderful, sunny, cheerful, and open person.

Janina Kamps

With every painting from Olga's master classes, I can see myself growing and my drawing turning into real painting. I sent Olga a few of my works, and her sincere delight gave me wings, a huge desire to keep going, and faith in myself. I'm endlessly grateful to her for that. I still watch and buy Olga's master classes, but on her advice, I've started taking my first steps in painting on my own. It's challenging but exciting, and it has become part of my life.

Marina Sukhanyuk

Olga paints with incredible ease, using a variety of materials and techniques. The words "she teaches by inspiring," which I often hear at her webinars, describe Olga perfectly: a charming and super-positive person. My plans for the future include lots and lots of painting. I'd love to cut down the time it takes me to create a painting, sell my work at affordable prices, and delight my friends with beautiful subjects. And Olga Bazanova will be a great help with that.

Lidiya Kretova

More Reviews

Frequently Asked Questions

What should I do after my first purchase? Where do I find the course?

After purchase, you'll receive an email with a link to your personal account at the address you used when ordering. Create a password, and you'll be taken to your account. If you don't see the email, please check your spam folder.

What is the personal account, and how do I log in?

Your personal account is where all your purchased courses are stored, and where you'll study our master classes. You can log in via the link sent to your email or through our website, using the "My Account" button at the very top of the page.

The course hasn't started yet. What should I do?

Before the course begins, the first stage, "Introduction," will open in your personal account. There you'll find out which paints, brushes, and canvases are used in the course, and you can download the course references. A reference is the image the painting is based on.

I can't log in / I forgot my password

Below the email and password fields, there's a "Forgot password?" button. Click it to receive a link to reset your password. If the email doesn't arrive, please check your spam folder.

How do I pay for the course?

To pay for the course, click "Buy Now" on the course page, enter your email and phone number, and choose PayPal or Stripe.

How does feedback with the curator and Olga work?

After purchasing the course, you'll receive an email with contact details for Olga or the curator. You can choose whichever way of communicating suits you best.

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Materials

CANVAS: 60×90 cm (or 60×100 cm)

PAINTS: titanium white, quinacridone magenta, cadmium orange, cadmium yellow light, cadmium lemon, cadmium red light, phthalo green, phthalo blue, indigo, bright blue acrylic.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 60×90 cm (or 60×100 cm)

PAINTS: titanium white, quinacridone magenta, cadmium orange, cadmium yellow light, cadmium lemon, cadmium red light, phthalo green, phthalo blue, indigo, bright blue acrylic, bright green acrylic.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 60×90 cm (or 60×100 cm)

PAINTS: titanium white, quinacridone magenta, cadmium orange, cadmium yellow light, cadmium lemon, cadmium red light, phthalo green, phthalo blue, indigo.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 60×90 cm (or 60×100 cm)

PAINTS: titanium white, quinacridone magenta, cadmium orange, cadmium yellow light, cadmium lemon, cadmium red light, phthalo green, phthalo blue, indigo, bright green acrylic, bright blue acrylic.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 50×70 cm (20×28 in)

PAINTS: Indian yellow, cadmium orange, cadmium yellow light, cadmium lemon, cadmium red light, Mars orange, yellow ochre, Mars brown dark, indigo, rose madder, titanium white.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 60×120 cm (24×47 in)

PAINTS: cobalt green, phthalo green, cobalt green dark, phthalo blue, quinacridone magenta, Mars brown light, yellow ochre, titanium white, cobalt blue medium, Mars black.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 50×70 cm (20×28 in)

PAINTS: titanium white, cadmium lemon, cadmium yellow light, cadmium orange, cadmium red light, rose madder, phthalo blue, Mars black, Mars orange, indigo.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 80×60 cm (32×24 in)

PAINTS: titanium white, quinacridone magenta, phthalo blue, indigo, cadmium yellow light, cadmium red light, cobalt green dark, Mars black.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 60×100 cm (24×39 in)

PAINTS: cobalt green, Indian yellow, Mars orange, cadmium orange, cobalt blue medium, titanium white, indigo, phthalo blue, rose madder, cadmium yellow light, cadmium red light.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 70×70 cm (28×28 in)

PAINTS: titanium white, cadmium lemon, cadmium yellow light, cadmium orange, cadmium red light, rose madder, phthalo blue, indigo, Mars orange.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 75×75 cm (30×30 in)

PAINTS: royal blue, phthalo blue, cadmium lemon, titanium white, cadmium yellow light, cadmium orange, quinacridone magenta, Mars orange, indigo, yellow ochre, Payne's grey.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 110×60 cm (43×24 in)

PAINTS: phthalo green, phthalo blue, titanium white, indigo, cadmium yellow light, cadmium orange, cadmium red light, rose madder.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 90×75 cm (35×30 in)

PAINTS: quinacridone magenta, rose madder, cadmium red light, titanium white, yellow ochre, cadmium yellow light, cadmium orange, Payne's grey, indigo, Mars black, Mars brown dark.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 80×130 cm (32×51 in)

PAINTS: titanium white, Mars black, Mars brown light, indigo, cadmium yellow light, yellow ochre, phthalo blue, rose madder, cadmium red light.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 70×70 cm (28×28 in)

PAINTS: titanium white, cadmium lemon, cadmium yellow light, cadmium red light, quinacridone magenta, cadmium orange, phthalo blue, Mars orange, indigo.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 70×70 cm (28×28 in)

PAINTS: titanium white, cadmium lemon, cadmium yellow light, cadmium red light, quinacridone magenta, cadmium orange, phthalo blue, Mars orange, indigo.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 70×70 cm (28×28 in)

PAINTS: titanium white, cadmium lemon, cadmium yellow light, cadmium red light, quinacridone magenta, cadmium orange, phthalo blue, Mars orange, indigo.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 70×70 cm (28×28 in)

PAINTS: titanium white, cadmium lemon, cadmium yellow light, cadmium red light, quinacridone magenta, cadmium orange, phthalo blue, Mars orange, indigo.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

Materials

CANVAS: 70×70 cm (28×28 in)

PAINTS: titanium white, cadmium lemon, cadmium yellow light, cadmium red light, quinacridone magenta, cadmium orange, phthalo blue, Mars orange, indigo.

TOOLS: synthetic flat brushes #2, 6; angled brushes #6, 8; round brushes #1, 2; 1-inch (2.5 cm) bristle brush; any solvent.

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Intensive on Classical Oil Painting

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Intensive on Classical Oil Painting

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Intensive on Classical Oil Painting

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